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Friday, 17 August 2012

The Name is Bond, James Bond - Era of Daniel Craig

Posted on 03:54 by Unknown
Daniel Craig is all set to take a ride in his upcoming film Skyfall as the fictional MI6 spy James Bond for the third time. The 23rd Bond film is scheduled for release on October 26 2012, also marking the 50th anniversary of the series. With the marvelous and catchy performances in previous two bond films and also in his recent Fincher directed universally acclaimed The Girl with Dragon Tattoo, Craig became one of my favorite actors. Javier Bardem, the assassin who threatened us in No Country for Old Men now takes the seat of main bond villain. The cast also includes another finesse Ralph Fiennes, and Judi Dench as M for the 7th consecutive time. The movie is directed by Sam Mendes, famous for American Beauty. With all these factors, my expectations are soaring towards Skyfall.

 

Most of the successful persons get criticized from different directions, mostly by the media before they achieve. Craig too didn’t escape from them. There were numerous protests and internet campaigns opposing him when he was chosen as a replacement for Pierce Brosnan. Daniel was even mocked as “my name is bland, James bland” because he is not tall and handsome as how they have seen the bond in previous films. For those who think he is not handsome, please watch the movie Layer Cake. What a stylish and stunning performance! And that landed him directly the opportunity and made EON head Barbara Broccoli to choose Craig as a strong contender for the next bond. The producers too were under lot of oppositions as to whether the decision of choosing Craig is correct. Nevertheless, he achieved what he deserved by his flattering performance in Casino Royale and returned as even grittier and vengeful in Quantum of Solace. There lies his success story and the blue eyed actor is back again in Skyfall. He is a bad guy working for good people which is how Craig describes his characterization as Bond. He has given a new dimension to the most famous spy film series as a newly promoted, dark and gritty, dangerous and ruthless killer agent. He is completely different from other versions of bond.

In Daniel Craig era of bond, there are many firsts. Chosen as bond at the age of 38, he is the first actor to portray bond who is younger than the series itself. He is the first blond actor to play bond and also portrayed as a rookie for the first time, learning his lessons to whom he must trust. Many film enthusiasts told that Craig truly represent Ian Fleming's James Bond from the original novel as ironic, brutal and cold. He is more vulnerable as a rookie agent, and emotional too, the aspect which was largely missing in Roger Moore or Sean Connery’s bonds. Bond movies are usually noted for the stunt and fast action scenes. But most of the yesteryear bond actors never afforded to injure themselves and so used body doubles. But in Craig’s era, he did all his stunts in both the films by his own. Right from falling on the roof of bus to jumping from a three storey building, he did all by his own. A close realism in action scenes are accomplished, obviously without relying on Q’s gadgets..!!

No matter whatever people tell, he is the best bond actor and there is no second thought from me in this.  I am eager to watch it in big screens..!!!
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Posted in daniel craig, james bond, skyfall trailer | No comments

Saturday, 11 August 2012

Carlito's way - one more diamond to Al Pacino's crown

Posted on 03:57 by Unknown

Carlito’s Way (1993)
Genre: Gangster, Crime, Drama
Cast: Al Pacino, Penelope Ann Miller, Sean Penn
Direction: Brian de Palma
 
Set in East Harlem in 1975, Carlito (Al Pacino) is a gangster who while serving 30 years of prison sentence gets released in 5 years using the legal exploitations by his lawyer and close friend David Kleinfeld (Sean Penn). After his release he commits himself to be clean and off from his past gangster life. Back home, he is all set to earn sufficient amount of money to retire peacefully and open a car rental shop with his friend in Bahamas. He also renews his relationship with Gail (Penelope Ann Miller), his former lover.  But he soon realizes that his past never lets him do what he wished for and he is unwillingly dragged into criminal life where his fate lies.

Carlito's Way is one of the best works of both director Brian de Palma and actor Al Pacino. The main emphasis of the film is that one’s past activities determine his fate in future. It is depicted brilliantly in the form of the Rican gangster Carlito’s life. Al Pacino lifts the movie to a greater level with his as usual marvelous and unbeatable performance. Its like adding a diamond to the acting crown of Al Pacino. The elaborate speech by Carlito in courtroom about his reformation has quite a style. Talking about performance, it would be unfair if there is no mentioning about Sean Penn. He gave a leap out performance as a skinny, successful lawyer with a different hair style which became difficult to identify him at first. He also has some troubled alliances with his criminal clients and also addicted to drugs. Penelope Ann Miller as Carlito’s lover did her role well but I don't know why she looks kind of sad most of the time. Both Ann Miller and Sean Penn were nominated for Golden Globe Award. Viggo Mortensen and Luiz Guzman appear in a minor role but played their part well. Unlike most gangster crime movies with heavy action scenes, it is less action and more character centered.  The climax scene at Grand Central Station is filmed beautifully and adds more tension to the audience. I guess it’s a favorite spot of de Palma! The same location appears in the climax of his another film The Untouchables. The romantic subplot is unnecessary, which makes the pace of the story dragged down then and there. But it is justified that Carlito wants to live with her lover for the rest of life.

Even though it received many praises, it is one of the underrated gangster genre movies and absolutely deserves more than what it has earned. Simple but well written script and, terrific acting make it a great experience watching the life of Carlito Brigante.

My rating: 8.7/10
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Posted in al pacino, brian de palma, carlito's way, film reviews, penelope ann miller, sean penn | No comments

Friday, 10 August 2012

Another set of movie trivia

Posted on 05:33 by Unknown
Already I have posted few trivia about hollywood movies. Here is another list of few interesting movie trivia. To see previous post about trivia, click here..

Casino Royale is the first bond film in the series to show Bond as a rookie in MI6. In all the other bond films, he had been a spy for long time.

Daniel Craig is the first actor to play James Bond who is younger than the series itself.
Quantum of Solace is a direct sequel to Casino Royale and begins as a continuation, just after few moments from the end of Casino Royale. But Bond is seen wearing 3 piece suit at the end of Casino Royale, and a different 2 piece suit in the beginning of Quantum of Solace.
 

None of the music used in Kill Bill was original. All were from Tarantino’s music collections.
In Spiderman, The scene in which Peter catches Mary Jane's lunch on the tray has no Computer Graphics involved. Tobey Maguire did it by himself by placing some sticky substance in his palm, and practiced quite a lot times and achieved it exactly what it is seen on the screen. 

Halley Joel Osment, the kid who acted as Android David, never blinks his eyes throughout the movie A.I. Artificial Intelligence, as his role David is an android in the movie.

Almost every shot contains an animal, usually a dog in the movie Children of Men. 
In The Matrix trilogy, one can see a greenish color dominating in many scenes. It’s actually a clue that, all scenes occur within the matrix have green overlay and the scenes in the real world are blue tinted.

The green color codes that are seen in The Matrix trilogy are actually mirror images of Japanese characters, along with English alphabets and numbers.
 

Eastern Promises is the only gangster genre movie without having the usage of guns even in a single frame.
In City of Angels, the angels rarely blink when they are shown. Nicholas Cage actually practiced not blinking and was able to do it for several minutes by the time the film was done. However, once he became human he was able to blink all he wanted.

Arnold Schwarzenegger was the only person on the set strong enough to lift the machine gun his character Terminator used in the Cyberdyne shootout scene in Terminator 2: the judgment day.

 Source : IMDB
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Posted in movie trivia, trivia | No comments

Saturday, 4 August 2012

I am Shiva the god of death - Michael Clayton

Posted on 06:20 by Unknown

Michael Clayton (2007)
Genre: Drama, mystery, thriller
Direction: Tony Gilroy
Cast: George Clooney, Tilda Swinton, Tom Wilkinson


Michael Clayton(Clooney) is an attorney working for a New York based law firm Kenneth, Bach & Ledeen. As a ‘fixer’ for the firm, he cleans up the messes for the firm and its clients using the loopholes in law. In addition to that he has gambling addiction and is in debt to a loan shark. Arthur Edens(Wilkinson) is a senior attorney in the firm and a good friend of Michael. He is involved with a lawsuit against U-north, an agricultural products manufacturing company headed by Karen(Swinton). In the middle of a meeting with one of the plaintiffs in Milwaukee, he does a misconduct of stripping himself which is believed due to fail in taking his medication, and arrested. Michael is sent to fix the issue and escort him back to New York. Things get toughen and Michael’s situation becomes worse as he is entangled into a web of conspiracies.

The plot of the movie is strong, and well executed with a terrific opening. The increasingly suspenseful story keeps engaged with impressive performances from the main cast in this slow paced excellent thriller. George Clooney delivers the required powerful performance in a neat and clean manner, and so are Tilda Swinton and Tom Wilkinson. Tilda won Oscar award for best supporting actress for her role as Karen. Gripping screenplay, excellent performances, and fewer characters along with a good background score makes this thriller movie an engaging and a must watch one.

My Rating: 8.5/10
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Posted in drama, film reviews, george clooney, michael clayton, thriller | No comments

Wednesday, 1 August 2012

Infernal Affairs vs The Departed

Posted on 02:01 by Unknown

2007 must be an unforgettable year for Hollywood’s ace director Martin Scorcese in which he got his first Oscar award for Best Direction for his film The Departed. It took 30+ years to achieve this though he deserved it years before. Well that’s not our concern here. Actually the best picture winner has its script adapted from one of Hong Kong's best thriller Infernal Affairs (Hong kong title Mou Gaan Dou) directed by Anthony Lau. Both films bear same plot about cat and mouse game between two infiltrators, one in police force and the other an undercover cop inside crime syndicate. What is presented below is about what the similarities and differences these two films have, in my view. It’s not an in-depth analysis of which of these is superior or a detailed plot explanation like one of my previous posts. In fact both are perfect in their own way with few flaws then and there. For simplicity, let me call the two movies in short, i.e. Infernal Affairs as I.A and The Departed as T.D, as they are going to be used below in many instances.
The main roles in both films gave top-notch performance as usual. In IA, the main roles are done by Hong Kong’s well noted actors Andy Lau as the rat inside police force Ming, Tony Leung as the undercover cop Yan, Anthony Wong as supdt. Wong, and Eric Tsang as Hon Sam, the crime boss. Their Hollywood counterparts are Matt Damon as the mole inside Massachusetts Police force Collin Sullivan, titanic boy Dicaprio as Billy Costigan, Martin Sheen and Mark Wahlberg as superior officers of Costigan, and the shining star Jack Nicholson as Costello. Lets see few more about these two films (there are few spoilers present below). 
  • Lengthwise, IA is shorter in duration than TD by almost an hour. Things get unfold in a fast pace. But TD takes an elaborate narrative right from the beginning to the bloodshed climax but not slow paced either. TD moves in faster pace similar to IA.
  • Both Yan and Billy are tormented by their undercover operation, with a fear that they may lose their real identity. Even their black leather jacket and the beard appear to be same. 
  • The other moles Ming and Sullivan are two faced and deceitful, except that Ming is remorseful and guilt ridden, kind of less evil. The pre-title sequence in both films shows how Ming and Colin are recruited by their respective bosses and sent to police academy.  

  • Yan is undercover for 3 years with Sam, and other bosses before. But in TD, Costigan’s undercover operation has completed a year only.
  • In IA, there is only supdt. Wong who knows about the undercover operation, and Yan’s identity, whereas in TD, there are Captain Queenan and Sergeant Dignam.
  • In IA, Yan uses morse code to communicate with SP Wong, whereas in TD Costigan uses mobile phone to contact Queenan.
  • South Boston crime boss Costello is dreadful, spiteful, and violent and of course more menacing than the Traid boss Sam who appears quiet mostly and don’t lose his temper easily. Nicholson’s performance sounded overacting to me in some places, but his presence gives The Departed a powerful villain that is almost missing in IA. In affairs, Sam doesn’t fully trust Yan, whereas in Departed, Costello doesn’t trust Bill, and at the same time has his frustrations over Sullivan too. Also the meeting between Sam – Ming/Costello – Colin in theatre is exactly the same.

  • In IA, Lau already has already fiancée Mary, who is a novelist and they move together as the movie progresses. It is she who hears the tape which exposes her lover who he is. Yan on the other hand is in love with his psychiatrist. He also has an ex lover whom he meets her one day with her child, probably Yan’s. In TD, these three roles are bound to a single character as psychiatrist Madolyn (Vera Farminga).
  • In TD, The two guys are barely or not even aware of each other’s existence, but sleep with same woman, Madolyn. Thankfully such a nonsensical love triangle is not present in IA.
  • The pivotal climax is scene by scene same in both the films, right from the rooftop to the elevator, except that in TD there is another one officer who gets killed. This is absolutely unnecessary. 
Rooftop Climax
  • In IA, as the story progress we see that all the relations are already established, and things are set in motion. In TD the two guys meet only after the death of Costello whereas in IA, they meet very earlier before Sam’s demise, in a stereo shop, without knowing about each other. Also during the raid and sabotage of drug deal, they both present in the same place.
  • Some unnecessary additions are also there in TD. Scorcese regular Alec Baldwin’s character is almost not present in IA. There is no close associate to Sam unlike Mr. French’s character (Ray Winstone) closely moving with Costello. I don’t know why this character even exists in the movie. These two actors were underused in my opinion.
  • Another point to note here in TD is its adherence to the moral belief that the bad should be punished for what has been done by him or her. That’s where Sergeant Dignam comes into picture. In IA, the movie ends at the funeral of Yan and what is the fate of Ming is not known though he is now legally clean.
  • The consequences of events associated with IA are elaborately shown in Infernal Affairs III which happens to be a semi prequel and semi sequel. In that case TD becomes a remake of Infernal Affairs I, II and III. I must say that Marty has cleverly shown the equivalent of what has happened in IA III, in only one scene, the very last scene of TD (my favorite scene!!).

Overall, both films are masterpieces in which IA gets additional credit for its originality. Without IA, there wouldn’t be another masterpiece from Scorcese. If you have watched TD and haven’t seen IA, watch it asap in its original language because the dubbed English dialogues are not up to the mark. And if you haven’t seen both, proceed with the original first...!!

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Posted in amazing films, infernal affairs, martin scorcese, the departed, the departed vs infernal affairs | No comments

Thursday, 26 July 2012

Its amusing to know these Directors' Trademarks.

Posted on 22:49 by Unknown
Have you ever noticed in Spielberg’s movies that there is a strong emphasis on father – son relationship? or a close up shot of the protagonist in Stanley Kubrick’s films? or a trunk shot in Tarantino's films. These are what called Director’s trademarks, which a same aspect can be repeatedly seen in movies directed by a particular director. I first noticed these things in Quentin Tarantino's movies in which a trunk shot appears without fail. Well. When you look close, you can note down more of these aspects. Let me post some more about these trademarks, mainly from three directors, Steven Spielberg, Quentin Tarantino, and my most favorite Stanley Kubrick.

Quentin Tarantino:  

This American filmmaker is very famous for his powerful unconventional screenplay and distinctive style of filmmaking.
  • His movies are famous for trunk shots, which the scene is shot from inside the automobile trunk.
  • Mexican standoff (three or more characters pointing gun to each other at same time)
  • Usage of aliases for major characters in almost all of his movies. For instance, Black Mamba in Kill Bill, and The Jew Hunter in Inglorious Basterds.
  • Fictional brands like Red Apple cigarettes, Big Kahuna burgers
  • Featuring one or more scenes in a restaurant (Pulp Fiction, Reservoir Dogs, Inglorious Basterds, Kill Bill)
  • Often provides explanations of what audience will see in Chapter form, as in Inglourious Basterds and Pulp Fiction
  •  His films often will include one long, unbroken shot where a character is followed around somewhere. (Black Mamba intruding O-Ren’s place in Kill Bill)
  • Mostly the plot moves forward in non linear and retrospective style (I always wonder about Kill Bill screenplay!!!).
  • Often shows a female character with barefoot, or main characters discussing things related to bare foot. (Uma Thurman intro scenes in Pulp Fiction and Kill Bill, Rosario Dawson in Deathproof)

Stanley Kubrick

Stanley Kubrick was one of the most talented and greatest directors who worked for nearly 45 years in cine field. He is well known for great care in whatever subjects he chose, slow method of working but technically achieving perfection, the variety of genres he worked in. He maintained complete artistic control making movies according to his own notions and time constraints. Below are some of the recurring themes in his movies. 
  • Nearly all of his films contain a beginning voiceover, if not a narration at some point.
  • His films often tell about the dark side of human nature, characters often featured as emotionally distant and mellow.
  • In his movie he shows the protagonist’s emotional meltdown by a close up shot of the actor with his head slightly tilted down, but eyes looking the camera directly. This is upto me the most fascinating aspect, the signature shot of Kubrick, called the Kubrick Stare. For example, opening scene of Alex in A Clockwork Orange, one of the characters going mad in Full Metal Jacket, Tom Cruise’s paranoid thoughts inside taxi in Eyes Wide Shut. Even HAL-9000, the supercomputer has the glare in 2001: A space odyssey.
  • All of Kubrick's films, especially Dr. Strangelove, have elements of satire and black humor in them.
  • Almost all his movies feature a pivotal scene that takes place in a bathroom.
  • Almost all of his films involve a plan that goes horribly wrong. (Eyes Wide Shut, The Killing, Paths of Glory)
  • Uses the first person viewpoint (the character's perspective) at least once in each film, most notably the protagonist's suicide attempt in A Clockwork Orange.
  • One can see a tracking shot (the camera following a character) in almost every movie he directed.

Steven Spielberg:

Spielberg , one of the most popular and influential directors, is well known for his earlier sci-fi movies, huge box office grossing, and variety of genre, has, like Kubrick, a career span of more than 40 years. In fact, he is a long time friend and collaborator of Kubrick. His sci-fi film A.I’s script was initially developed by Kubrick and Spielberg from 70s till Kubrick’s death in 1999.
  • His movies depict father – son relationship, mostly troubled and estranged. Either the protagonists come from a family of divorced parent, absent or irresponsible father, or the protagonist himself is shown as single father, either divorced or widowed. I have seen around 7 or 8 movies directed by him, all of them have it. This is actually a reflection of Steven's childhood where his parent were divorced.
  • Usage of powerful flashlights in dark scenes as in Jurassic park, The Lost world, ET, Catch me if you can.
  • Music score by John Williams.
  • Often shows children in some form of danger, as in Minority Report, Tom Cruise’s son had been kidnapped. Also in Jurassic Park, Schindler's List.
  • Important images, or characters, are often seen through the rear-view mirror of a car (Duel, E.T, Jurassic Park, Schindler's List, A.I. Artificial Intelligence).
Looking for these kind of amusing aspects in my other favorite filmmakers too..

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Posted in director trademark, directors trademark, kubrick stare, quentin tarantino, stanley kubrick, steven spielberg, trunk shot | No comments

Sunday, 22 July 2012

சொர்ணரேகை - படித்ததில் மிகவும் பிடித்தது

Posted on 01:16 by Unknown

என்னதான் கம்பியூட்டர், இன்டெர்நெட்னு பொழுது போக்கு சாதனங்கள் வந்தாலும், புத்தகம் படிக்கிற மாதிரி வரவே வராது. ஒரு வாரம் முன்னாடி என்னோட favorite சொர்ணரேகை நாவல திரும்பப் படிச்சேன். பிரபல தமிழ் எழுத்தாளர் இந்திரா சௌந்தரராஜன் எழுதின நாவல். 1999ல பிரசுரமானது. என்னடா இவன் 12 வருசத்துக்கு முன்னால வந்த கதையப் பத்தி இப்ப பேசிட்டு இருக்கானேன்னு நெனைக்கலாம். ஆனா, இப்ப படிக்கும்போதும், ஒவ்வொரு தடவையும் முதல்முறை படிச்சப்ப இருந்த த்ரில் மாறவே இல்ல. நான் முதல்முதலா படிச்ச திரில்லர் கதை இதுதான். அதனாலயே இது எனக்கு ரொம்பப் பிடிச்ச நாவல்ல ஒன்னாகிருச்சு. 


இந்திரா சாரப் பத்தி உடனே தெரியர மாதிரி சொல்லனும்னா, சன் டிவில வந்த மர்ம தேசம் தொடரோட கதை எழுதினவர். இந்தக் கதைகூட 'விடாது கருப்பு'க்கு அடுத்ததா மர்ம தேசம் - பார்ட் 3 ன்னு தொடர் நாடகமா வந்தது. 
 
இந்திராவோட‌ நாவல்கள்ல பெரும்பாலும், கூடுவிட்டுக் கூடுபாய்ரது, போன சென்மம், அடுத்த சென்மம், இந்தமாதிரி ஏதாச்சும் ஒரு விசயம் அடிப்படையா இருக்கும். அமானுஷ்யம் உண்மையா பொய்யான்னு ஒரு ஆராய்ச்சியோட இருக்கும்.  உண்மையோ பொய்யோ, படிக்கிறப்ப சுவாரசியத்துக் குறைவில்லாம இருக்கும். அந்த வகையில, சொர்ணரேகையோட கதைய‌ கைரேகை சோதிடத்தை மையமா வச்சி எழுதிருக்காரு இந்திரா சார். கதைல அங்கங்க டுவிஸ்டு வர்றதுனால மேலோட்டமா சொல்றேன். தூக்கு தண்டனைக் கைதி, கைரேகை சோதிட ஆராய்ச்சியாளர், க்ரைம் பிராஞ்ச் இன்ஸ்பெக்டர், டூரிங் தியேட்டர் ஆபரேட்டர் இவங்களுக்குள்ள நடக்குற சம்பவங்கள் தான் மொத்தக் கதையும். வளவளன்னு நெறய பக்கங்கள் எழுதாம, ரொம்பச் சின்னதாவும் இல்லாம, அதே நேரத்துல திரில்லுக்கும் குறைவில்லாம இருக்குறதால படிக்கிறப்ப போர் அடிக்க வாய்ப்புகள் ரொம்ப ரொம்பக் குறைவு.

த்ரில் நாவல் விரும்பி வாசிக்கிறவங்களுக்கு, இதுவும் கண்டிப்பாப் புடிக்கும். அப்டிங்கிறது என் கருத்து. நீங்களும் படிச்சிட்டு உங்க கருத்த சொல்லுங்க...



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Posted in books, favourites, indira soundararajan, sornaregai, thriller novel, இந்திரா சௌந்தரராஜன், சொர்ணரேகை, தமிழ்ப் பதிவுகள் | No comments
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Blog Archive

  • ▼  2013 (12)
    • ▼  April (2)
      • Special 26 - an excellent heist thriller
      • This picture explains everything...
    • ►  March (3)
    • ►  February (4)
    • ►  January (3)
  • ►  2012 (24)
    • ►  December (1)
    • ►  November (2)
    • ►  October (2)
    • ►  September (3)
    • ►  August (7)
    • ►  July (7)
    • ►  June (2)
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